![]() ![]() Kudos to director Sharat Katariya for telling a moving tale simply and effectively. What else can one ask from a film that aims to do exactly that! And this once I mean that in a nice way. It brings a smile because the characters have their quirks and keeps you interested because the characters are like you and me, only with different quirks. At the same time it isn't too satirical or dark. Sure, it addresses a social flaw and how the people that make the same society are coping with it. Yet, Dum Laga Ke Haisha is not a very serious film. The bitterness, the selfishness, the momentary pleasure and the pain all come through. From the lead roles to the ones on the side you know which one is likely to behave in what sort of a way in the given situation. And that is exactly what Dum Laga Ke Haisha has. Of course, no film about ordinary domestic squabbles can manage to create warmth without ace acting by all involved. ![]() But, the balancing act left a little something lacking.įortunately, it wasn't the performances. I understand, there is always the risk of too many conversations and the danger of the run-time slipping across the two-hour zone. Unfortunately, there aren't enough of them to make events believable. It tries with the right ingredients that work well – conversations in a relationship. Sure, it falls into the historic, cop-out trap of both a quick, convenient finish and dramatizing the events. Dum Laga Ke Haisha has captured it all so well and in just the right measure to not make it dramatic and yet keeping you completely engrossed. That there is a pointer at the scores of social dynamics in an arranged marriage – pressure, gut, looks, submissiveness and so on. So, why does he get married at all? Well, he is considered a good for nothing, remember? And what voice does a suppressed lad have when he has achieved little in life, right? And Prem gets pressurized into marrying someone who he doesn't like at first look. With very little to go on, other than gut-feel an arranged marriage relies a whole lot on how the other person looks. ![]() And therein lies the crux of the conflict in the film. ![]() She is also not the conventional definition of good-looking either. She's a woman's woman who has no self-worth issues. Sandhya ( Bhumi Pednekar) is educated, mature and is submissive but won't take nonsense lying down either. He is pretty much considered good for nothing by all around and in return is cynical about the world around. Prem aka Lappu ( Ayushmann Khurrana) has been no good at academics and loves Kumar Sanu. ![]()
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